Soft Synths “Built upon the strengths of the original, it takes this vintage classic to contemporary heights”: Cherry Audio Mercury-8 review Guitar Pedals The Boss PX-1 is a treasure trove of classic ...
The classic Fender 4x10 combo is reborn as a digital powerhouse offering top-tier tones, superb headroom and reliability at a very attractive price. It is lighter but a 4x10 can be cumbersome to cart ...
When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. The reverb could do with being a touch warmer. MusicRadar's got your back Our team of expert ...
It just shows what a little bit of refinement and some tinkering can to do reinvent a lost classic and make it that little bit more relevant for today's player. Fender has done that here, without ...
Whether your latest electronic production demands a thudding ‘knock’ or a full- frequency pulse to underpin the rhythm, the kick drum is one of the most important elements to get right. Find the ...
Reverb is one of the most-used effects in the music producer’s toolkit. Indeed, it’s rare to encounter a song from the last 70 years or so that doesn’t involve reverb in some way. While it may seem ...
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“One of Supro’s finest combo offerings thus far”: Supro Black Magick Reverb TB review
Very few artists can combine guitar-slinging bravado and searing blues chops more authentically than Tyler Bryant. As a young ...
This Reverb exclusive offers 15 of Butler's signature heads used for rehearsals for Black Sabbath's final show, each coming with a COA from Ashdown MD Dan Gooday When you purchase through links on our ...
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Reverb and Ashdown are selling bass amps used by Geezer Butler during rehearsals for Black Sabbath’s final show
[Update 10.08 – An earlier version of this story stated these amps were played by Geezer Butler at Back to the Beginning, Black Sabbath's final show. Butler has since posted on social media to say ...
PRODUCER WEEK 2025: Reverb is one of the most-used effects in the music producer’s toolkit. Indeed, it’s rare to encounter a song from the last 70 years or so that doesn’t involve reverb in some way.
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