A MODERN writer has declared that the orthodox musical notation is “in some of its elements, foolishly illogical and unnecessarily complicated” (W. II. Anderson, in “The Musical Companion”, Gollancz, ...
Performances in N.Y.C. Advertisement Supported by When composers publish their scores or prepare them for performance, they need an editor — a role that rarely enjoys the classical music limelight. By ...
16don MSN
How Louis Braille’s musical notation system remains relevant 200 years after its invention
In the 1820s, Louis Braille devised a raised-dot system of letters, numbers and musical notation. 200 years later, it’s still opening the music world for blind musicians.
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